Seattle’s most mainstream bit of open craftsmanship, Waiting for the Interurban, is projected in reused aluminum and portrays six individuals hanging tight for a train that never comes. Infrequently local people will affectionately finish the individuals in outfits relating to an exceptional occasion, the climate, somebody’s birthday, a Mariners win – whatever. Look at the human face on the canine; it’s Armen Stepanian, when Fremont’s privileged civic chairman, who tragically objected to the model.

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